How control and transparency for users could improve artist fairness in music recommender systems
K. Dinnissen, and C. Bauer. Proceedings of the 24th International Society for Music Information Retrieval Conference, page 482-491. ISMIR, ISMIR, (November 2023)
Abstract
As streaming services have become a main channel for music consumption, they significantly impact various stakeholders: users, artists who provide music, and other professionals working in the music industry. Therefore, it is essential to consider all stakeholders' goals and values when developing and evaluating the music recommender systems integrated into these services. One vital goal is treating artists fairly, thereby giving them a fair chance to have their music recommended and listened to, and subsequently building a fan base. Such artist fairness is often assumed to have a trade-off with user goals such as satisfaction. Using insights from two studies, this work shows the opposite: some goals from different stakeholders are complementary. Our first study, in which we interview music artists, demonstrates that they often see increased transparency and control for users as a means to also improve artist fairness. We expand with a second study asking other music industry professionals about these topics using a questionnaire. Its results indicate that transparency towards users is highly valued and should be increased.
%0 Conference Paper
%1 dinnissen2023_control
%A Dinnissen, Karlijn
%A Bauer, Christine
%B Proceedings of the 24th International Society for Music Information Retrieval Conference
%D 2023
%I ISMIR
%K artist control fairness music myown recsys transparency
%P 482-491
%T How control and transparency for users could improve artist fairness in music recommender systems
%X As streaming services have become a main channel for music consumption, they significantly impact various stakeholders: users, artists who provide music, and other professionals working in the music industry. Therefore, it is essential to consider all stakeholders' goals and values when developing and evaluating the music recommender systems integrated into these services. One vital goal is treating artists fairly, thereby giving them a fair chance to have their music recommended and listened to, and subsequently building a fan base. Such artist fairness is often assumed to have a trade-off with user goals such as satisfaction. Using insights from two studies, this work shows the opposite: some goals from different stakeholders are complementary. Our first study, in which we interview music artists, demonstrates that they often see increased transparency and control for users as a means to also improve artist fairness. We expand with a second study asking other music industry professionals about these topics using a questionnaire. Its results indicate that transparency towards users is highly valued and should be increased.
@inproceedings{dinnissen2023_control,
abstract = {As streaming services have become a main channel for music consumption, they significantly impact various stakeholders: users, artists who provide music, and other professionals working in the music industry. Therefore, it is essential to consider all stakeholders' goals and values when developing and evaluating the music recommender systems integrated into these services. One vital goal is treating artists fairly, thereby giving them a fair chance to have their music recommended and listened to, and subsequently building a fan base. Such artist fairness is often assumed to have a trade-off with user goals such as satisfaction. Using insights from two studies, this work shows the opposite: some goals from different stakeholders are complementary. Our first study, in which we interview music artists, demonstrates that they often see increased transparency and control for users as a means to also improve artist fairness. We expand with a second study asking other music industry professionals about these topics using a questionnaire. Its results indicate that transparency towards users is highly valued and should be increased.},
added-at = {2023-11-03T00:19:53.000+0100},
author = {Dinnissen, Karlijn and Bauer, Christine},
biburl = {https://www.bibsonomy.org/bibtex/290030e5edddb124e1f20a3d5b43e724a/bauerc},
booktitle = {Proceedings of the 24th International Society for Music Information Retrieval Conference},
eventdate = {5-9 November},
eventtitle = {24th International Society for Music Information Retrieval Conference},
interhash = {405101e93eb9b3b9b76c871919b36cbe},
intrahash = {90030e5edddb124e1f20a3d5b43e724a},
keywords = {artist control fairness music myown recsys transparency},
language = {en},
location = {Milan, Italy},
month = {11},
organization = {ISMIR},
pages = {482-491},
publisher = {ISMIR},
series = {ISMIR 2023},
timestamp = {2023-11-03T00:19:53.000+0100},
title = {How control and transparency for users could improve artist fairness in music recommender systems},
venue = {Milan, Italy},
year = 2023
}