%0 Book %1 hesmondhalgh_popular_2002 %A ed., David %A intro Hesmondhalgh, %A ed., Keith %A intro Negus, %C London %D 2002 %I Arnold %K imported %T Popular music studies %X The following contributions are cited separately in RILM: Christopher BALLANTINE, Music, masculinity and migrancy under early apartheid: Gender and popular song in South Africa, c. 1948-1960 (2002-6227) David BRACKETT, (In search of) musical meaning: Genres, categories and crossover (2002-6230) Dai GRIFFITHS, Cover versions and the sound of identity in motion (2002-6229) Jocelyne GUILBAULT, The politics of calypso in a world of music industries (2002-6238) David HESMONDHALGH, Popular music audiences and everyday life (2002-6233) Shuhei HOSKOKAWA, Blacking Japanese: Experiencing otherness from afar (2002-6240) Rupa HUQ, Raving, not drowning: Authenticity, pleasure and politics in the electronic dance music scene (2002-6231) Anahid KASSABIAN, Ubiquitous listening (2002-6234) Lorraine LEU, Luiz TATIT, Analysing popular songs (2002-6228) Ian MAXWELL, The curse of fandom: Insiders, outsiders and ethnography (2002-6232) Keith NEGUS, Michael PICKERING, Creativity and musical experience / Keith Negus and Michael Pickering (2002-6237) Motti REGEV, The "pop-rockization" of popular music (2002-6242) Patria ROMÁN-VELÁZQUEZ, Locating salsa (2002-6239) Will STRAW, Value and velocity: The 12-inch single as medium and artifact (2002-6236) Jason TOYNBEE, Mainstreaming, from hegemonic centre to global networks (2002-6235) Nabeel ZUBERI, India song: Popular music genres since economic liberalization (2002-6241). %@ 03407624700340762489

@book{hesmondhalgh_popular_2002, abstract = {The following contributions are cited separately in {RILM:} Christopher {BALLANTINE,} Music, masculinity and migrancy under early apartheid: Gender and popular song in South Africa, c. 1948-1960 (2002-6227) David {BRACKETT,} {(In} search of) musical meaning: Genres, categories and crossover (2002-6230) Dai {GRIFFITHS,} Cover versions and the sound of identity in motion (2002-6229) Jocelyne {GUILBAULT,} The politics of calypso in a world of music industries (2002-6238) David {HESMONDHALGH,} Popular music audiences and everyday life (2002-6233) Shuhei {HOSKOKAWA,} Blacking Japanese: Experiencing otherness from afar (2002-6240) Rupa {HUQ,} Raving, not drowning: Authenticity, pleasure and politics in the electronic dance music scene (2002-6231) Anahid {KASSABIAN,} Ubiquitous listening (2002-6234) Lorraine {LEU,} Luiz {TATIT,} Analysing popular songs (2002-6228) Ian {MAXWELL,} The curse of fandom: Insiders, outsiders and ethnography (2002-6232) Keith {NEGUS,} Michael {PICKERING,} Creativity and musical experience / Keith Negus and Michael Pickering (2002-6237) Motti {REGEV,} The "pop-rockization" of popular music (2002-6242) Patria {ROMÁN-VELÁZQUEZ,} Locating salsa (2002-6239) Will {STRAW,} Value and velocity: The 12-inch single as medium and artifact (2002-6236) Jason {TOYNBEE,} Mainstreaming, from hegemonic centre to global networks (2002-6235) Nabeel {ZUBERI,} India song: Popular music genres since economic liberalization (2002-6241).}, added-at = {2010-01-27T22:12:50.000+0100}, address = {London}, author = {[ed., David and intro Hesmondhalgh and [ed., Keith and intro Negus}, biburl = {https://www.bibsonomy.org/bibtex/2f2315335c9ce4401c269effd90a9a55e/bliek}, interhash = {d8264121c1a243702d3fe9bd32c9f6ba}, intrahash = {f2315335c9ce4401c269effd90a9a55e}, isbn = {03407624700340762489}, keywords = {imported}, publisher = {Arnold}, timestamp = {2010-01-27T22:12:58.000+0100}, title = {Popular music studies}, year = 2002 }